By Abdelilah Hamdouchi
When a fourth corpse in three days washes up in Tangier with a bullet in the chest, Detective Laafri…Read more
The Guardian, Jonathan Guyer, 3 October 2014
From Baghdad to Cairo, a neo-noir revolution has been creeping across the Middle East. The revival of crime fiction since the upheavals started in 2011 should not come as a surprise. Noir offers an alternative form of justice: the novelist is the ombudsman; the bad guys are taken to court.
“Police repression is an experience that binds people throughout the Arab world,” writes Dartmouth professor Jonathan Smolin in Moroccan Noir: Police, Crime and Politics in Popular Culture. That experience of repression did not simply pre-date the 2011 uprisings; it stimulated the revolts themselves.
The genre has long been popular in the Middle East though often considered too lowbrow for local and international scholarship. Mid-century paperbacks – shelves of unexamined pulp, from Arabic translations to locally produced serials, along with contemporary reprints of Agatha Christie – languish in Cairo’s book markets. Writer Ursula Lindsay quips: “Cairo is the perfect setting for noir: sleaze, glitz, inequality, corruption, lawlessness. It’s got it all.”